I did an interview with Trivax main man Shayan back in 2018, ahead of the band’s debut at Bloodstock Open Air. He’s an interesting person, moving from Iran to the UK in 2011 to pursue his musical ambitions, something he was unlikely to have been able to have done freely in Tehran, where Trivax was first formed. With an underdog attitude, he’s been able to channel that into his art. 2016 saw the release of debut album SIN, with EP releases in 2021 and 2022 helping to sate the creative itch. However, it’s time for the second album from the West Midlands based trio, and Eloah Burns Out is that beast, arriving soon on Cult Never Dies Records.
It’s a seven-track release, spanning 36 minutes. Ferocious from the start, Trivax play a hybrid mix of death and black metal, steering closer to the latter. Opener “Azrael” has many influences, although it’s the likes of Watain and Behemoth that immediately spring to mind. It’s the ideal opener, not too long, but clearly setting out the band’s style for all to appreciate. It contains multiple dynamics, switching from bursts of blast beats and speed to slower, more atmospheric parts. Shayan’s growling vocals compliment the frenzy beneath him; this is where soaring cleans wouldn’t work.
“Silent Contemplation” provides exactly that. A short, keyboard and guitar instrumental allows for reflection before the album’s central pillar erupts. “The Serpent’s Gaze” was initially released as part of three-song EP in October 2022, but the length of the song has been extended by around 30-seconds, stretching it to over nine-and-a-half-minutes. It’s a powerful, dark, demonic song, with anthemic elements that combine with more atmospheric imagery. It’s not particularly fast, relying on the intensity of the track to carry it. At times, it’s relatively simplistic, a repetitive riff that slowly builds.
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Atmospheric black metal is a saturated genre, and it’s difficult for bands like Trivax to break through. This may be an album that elevates them a little higher, for every song brings different approaches, whilst retaining the integral structures necessary. “Against All Opposition (By Aeshma’s Wrath)” provides one such opportunity, with a harrowing conclusion that sends shivers.
Cleverly, Trivax have used a couple of tracks to not only increase the temperature on the album, but to provide that essential opportunity to draw breath. “Memento Mori” is probably one of the most used titles in metal, but the intriguing chanting allows time to brace for the explosive finale of “Twilight of Death”. Another longer track, it’s an excellent way to finish what is overall a solid second release by a band with much to offer.
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Eloah Burns Out is out on September 29th
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