Originally released in February 2021, Todd La Torre’s debut album Rejoice in the Suffering finally gets the full European release it deserves. What’s even more impressive is that la Torre’s contribution extends beyond his fine vocal performance, as he adds the drums alongside long-time friend and collaborator Craig Blackwell, who is responsible for guitar, drums, and keys.
If your exposure to La Torre is confined to Queensrÿche or even his previous band Crimson Glory , then this is an album that’s full of surprises. Unlike the symphonic power metal elements of his current employers, this is a pure heavy metal album, albeit polished and highly performed and produced metal.
The opening duo are a real statement of intent. The blasting, piercing rage of “Dogmata” followed by the muscular drive of “Pretenders” are both huge tracks, full of rippling riffage, pounding drums and La Torre in fine voice. There is plenty for most metal fans across the 13 tracks which include a trio of bonus songs at the end.
La Torre is understandably enthusiastic about the record. “Rejoice In the Suffering was truly a labour of love. It’s a pure metal record that certainly showcases a wide range of my vocal abilities. I feel there is something for any true fan of metal on this album. This album is full of groove, dynamics, power, and substance and I can’t wait for people to hear it”.
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He’s spot on. The songs are big, at times brash, perfectly crafted, and most of all, make you want to bang your head. There’s little resemblance to Queensrÿche for much of the album, such is the driving power that surges through each song. La Torre gives it the full range. From his Halford-esque high-pitched delivery on tracks like “Dogmata” and “Darkened Majesty”, the latter which also sees him switch to his imperious sonic tones, through to more reflective and expansive styles which he’s better known for, such as “Crossroads to Insanity” and the stunning closing track “Apology”, La Torre is on fire.
As well as La Torre’s singing, the musicianship is also well worth checking out. Blackwell is a solid guitarist and bassist, whilst La Torre’s drumming holds its own. Blackwell’s lead breaks are fiery, bringing a whole new aspect to the album. There’s something pleasingly fresh and unexpected about the whole feel of the album. Whether it’s the groove that pulses through some of the songs, the whole old school heavy metal feel, the crushing power of songs like “Vexed” or the sheer exuberance that is evident throughout, it all adds up to an album that really works on every level.
Although La Torre possesses one of the most distinctive voices in metal today, he manages to summon up new vocal acrobatics which are likely to surprise and impress in equal measure. I admit to taking on this album with a bit of trepidation, but my expectations have been exceeded. If you like heavy metal, then there’s no reason why this won’t be an album that you should give at least a listen to. Even if it’s just to experience the frenetic punishment of “Vanguards of the Dawn Wall”, then you won’t be disappointed.
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Rejoice in the Suffering is out on April 21st
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